Unique – including certificate of authenticity
Framed with anti-reflective museum glass
The work changes in the room.
Size, distance and light determine how the picture is perceived – not as an isolated object, but as part of a situation. The photograph shown here conveys this relationship and gives an impression of how the work appears in dialog with its surroundings.
Further views then allow a closer look at the structure, details and composition.
One of my most important sources of inspiration is trying to look at the world as if I were seeing it for the first time. I go outside my front door and try to consciously set aside any judgment or learned knowledge about my surroundings.
This state is almost impossible to maintain – and this is precisely where its value lies. Even the brief moment of not knowing opens up new perspectives and creates space for other forms of seeing. This experiment gives rise to works such as (K)EINE Insektensammlung.
The collage (N)ONE insect collection unfolds its effect at second glance. The works are small-format, deliberately restrained and demand proximity. Structure, material and reinterpretation only become visible on closer inspection.
The framing and serial appearance create a tension between collection and individual piece. The work refers to natural history orders without reproducing them – and invites us to slow down our own gaze.
Each work is framed dust-tight (anti-reflective museum glass) and comes with a signed certificate of authenticity
Viewers report that new details are always revealed on closer inspection.
Whether plant or insect, it’s hard to tell the difference at first glance. At second glance? Discover the little deceptions for yourself.
Not a single real insect was used – all the figures consist of found objects, fine drawings and colorful accents. Buds, pine cone scales, berries and leaf remnants pose as beetles. On the far right, a small piece of electrical waste asserts itself as a “resistance beetle”.
In the bottom row: a barberry berry on the far left, next to it a frayed pine cone scale – perfectly camouflaged for an imaginary insect. In the bottom center: a delicate “weevil” from a rosebud, next to it a three-part object, nameless and mysterious. At the top of the collection is a butterfly made from a peony. Further figures are waiting to be named – there is plenty of scope for imagination and discovery.
| Attributes | Value |
|---|---|
| Work type |
Miniature collage |
| Series |
Insect collection |
| Material |
Found plant remains and small pieces of waste arranged and preserved on watercolor paper |
| Technology |
Assemblage / Collage |
| Dimensions (object) |
approx. 12 x 11 cm |
| Passepartout |
Acid-free paper, raw white, section: 14 × 14 cm |
| Glass / Protection |
Low-reflective museum glass with UV protection |
| Frame |
Silver-plated wooden frame |
| Overall size (incl. framing) |
33 × 33 cm |
| Condition / Processing |
Dust-tight seal, suspension available |
| Suspension |
The frame is fitted with a single-point suspension |
| Certificate |
Certificate of authenticity (signed) |
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